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"The origins of the Composers Guild go back to the 1920s when a small
group of Fortnightly Club members met privately to perform and discuss
their own works under the guidance of Charles V. Rychlik, a prominent east
side teacher of violin. Over the years this interest was maintained in the
Club's manuscript section. Three years ago when Mrs. Carl Corner became
chairman of the group, plans to reach a larger audience in the community
began to take shape. During that season the efforts of Mrs. Corner, Donald
Erb, Robert Fields, now director of the Buffalo Community Music School,
and many others resulted in one public concert of original Cleveland
works. During the following season of 1958-59, two concerts were presented
in the fall and spring. At the beginning of the current season, the
manuscript section, officially rededicated as the Composers Guild, began
an impressive series of public concerts which will soon number eight in
all."
---Fine Arts Magazine, A Weekly Guide (March 27, 1960) -----as quoted in
Silvia Zverina, And They Shall Have Music: The History of the Cleveland
Music School Settlement
Cleveland, Cobham and Atherton Press, 1988
The Fortnightly Musical Club of Cleveland, a member of the National
Federation of Music Clubs, was founded on January 24, 1894. Fortnightly
still supports the Guild, by providing tax exempt status, accounting
services, and by commissioning a new work annually since 1974. One of the
closest working relationships is in the annual Young People's Concert,
where students from the Junior Fortnightly Musical Club and the Cleveland
Music School Settlement perform works written especially for them by Guild
composers.
The 1960s and early 70s were the heyday of the Guild. Funding was
relatively plentiful, and the recording and publication projects largely
date from this time. Concerts were contracted with big-name artists such
as David Burge and the Aolian Chamber Players, and concerts were given in
locales besides Cleveland. The Cleveland Museum of Art's May Festival
helped focus attention on contemporary music. As the 60s wore on, the
relatively conservative works of the late 50s were replaced by multimedia
"happenings"; a concert scheduled for May 5 1970 at Cleveland State
University was postponed "because of unsettled conditions in the city due
to the nationwide student strike for peace" (in the words of then-chairman
Julius Drossin; Kent State is less than an hour away.). By 1972, many of
the movers and shakers were suffering from burnout; the agenda of one
meeting then was whether or not to fold the Guild. Yet the Guild
persevered. Other groups appeared to help perform local music (we must
mention here the services of Edwin London and the Cleveland Chamber
Symphony). During the 90s, the Guild has been undergoing a renaissance,
with more regular concerts, better publicity, and Web pages.
 
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