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The Cleveland Composers Guild Cleveland Music School Settlement Monday, March 28, 1966 at 8:30pm Program |
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| Fragment Study (1964) |
Jack Johnston |
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Maurice Sharp, flute |
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| Music for Brass and Percussion (1964) | |||||
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Harry Herforth, trumpet |
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| "Nostalgicon" (1964-65) | |||||
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Nine retrospective Pieces for Piano |
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1. Shadings, Op. 55 (for B. and A.G.) |
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"Unexpected Guest" - "Home Visit" - "Black and White" |
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2. Three Saying, Op. 56 (for M.C.) |
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"Parable" - "Curse" - "Blessing" |
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3. Trifolium, Op. 61 (for E.P.) |
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"Romanza" - "Gymnodaktylle" - "Scherzino" |
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| Sonata for Piano No. 1 (1951) |
Roman Ryterband |
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1. Allegro con brio |
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Eunice Podis, piano |
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Intermission |
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| Sonata for Violin and Piano No. 2 (1959) |
Elie Siegmeister |
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1. Allegro con fuoco |
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Jerome Gross, violin |
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| "In Mirkwood", For Electric Tape (1966) |
Craig Bourne |
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| "Synchronisms No. 3" for 'Cello and Electronic Sounds (1965) |
Mario Davidovsky |
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John White, 'cello |
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| (The electronic music sections of this program were produced at the Case Studio for Experimental Music, R Wilding-White, director; W. Hemsath, technical advisor) | |||||
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